Ebook Télécharger Saul Bass : A Life in Film & Design, by Jennifer Bass
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Saul Bass : A Life in Film & Design, by Jennifer Bass
Ebook Télécharger Saul Bass : A Life in Film & Design, by Jennifer Bass
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Le maintien de la routine pour la lecture est parfois difficile. Il y aura certainement de nombreux défis à se ennuyer rapidement lors de la lecture. Beaucoup de bons amis peuvent prendre bavarder ou aller quelque part avec les autres. L'examen Saul Bass : A Life In Film & Design, By Jennifer Bass fera d'autres personnes se sentent vraiment que vous êtes un fan vraiment de livre. Néanmoins, celui qui lit cette publication suggère pas toujours aussi amateur de livres.
Détails sur le produit
Relié: 440 pages
Editeur : Laurence King Publishing; Édition : Reprint (1 octobre 2011)
Langue : Anglais
ISBN-10: 1856697525
ISBN-13: 978-1856697521
Dimensions du produit:
26,7 x 4,1 x 29,8 cm
Moyenne des commentaires client :
4.4 étoiles sur 5
3 commentaires client
Classement des meilleures ventes d'Amazon:
300.972 en Livres (Voir les 100 premiers en Livres)
Pour ceux qui ne connaissent pas Saul Bass, ce livre est un livre de référence à la fois beau et pertinent.
Livre complet, alliant textes et reproductions. Si l'iconographie est riche, pour qui ne parle pas couramment anglais, plus d'images auraient permis de le rendre plus accessible
A timely release about one of the great and influential designers of the last century and clearly Pat Kirkham has made this a scholarly work considering the amount of research involved. The title will most likely become the standard biography of Bass. Having said that I was disappointed to find the book had some editorial flaws in its presentation.Millions of movie-goers are familiar with the stunning credits Bass created (sixty stills are included in a fold-out dateline at the back pages) from Carmen Jones in 1954 to Casino in 1995 and the book rightly devotes a large number of pages to credits and the marketing of movie logos. My first disappointment is that a DVD was not included with the book. OK, I'll accept that this would involve a lot of extra work (and probably copyright fees to make the book even costlier) and it wasn't in the author's remit so the fall back position would be to show the credits in as much detail as possible: frame by frame to give the reader a feel of how Bass created these powerful opening statements to a movie. Unfortunately many of these credit stills throughout the book are treated more as individual images, in various sizes, rather than shown as a sequence of large thumbnails. Solana and Boneu's Uncredited (ISBN 97884309524) book has a whole chapter on Bass credits and the pages work well. 'Anatomy of a murder' has thirty-two thumbnails, 'North by northwest' has twenty-four. In this book they get six and five.Chapter six looks at the corporate work of Saul Bass and he worked for a lot of companies. The book's coverage is hardly comprehensive when this kind of design commission looks into every visual corner of a company. Mostly what is shown are a few samples: Fuller Paints gets five photos and a logo; Rockwell International three and a logo; Minolta two photos, two logos and five still thumbnails. These corporate pages throw up another disappointment I had with the book: presentation. Flick through the pages and it all looks clean and tidy but then start to read a chapter and I was aware of the large amounts of empty page space (working white as designers call it) where, as this is a book about a visual subject, images should be working much harder. These are pretty pages rather than practical pages that reveal the full potential of the images to the reader. A good example are two fold-outs showing logos sixteen to a page, actually they would have fitted easily on two pages but on four pages they should have been much larger without destroying the book's design integrity. A spread on AT&T (pages 330/331) has ten images and text that would easily fit on one page.What I found absolutely fascinating were the fifteen pages of notes in the back pages. Predictably set in tiny type yet full of detail about Saul Bass, design and the design community he worked in.The book's printing is excellent, a nice matt art for the 1484 images using an impressively fine screen (three hundred+) an embossed cover with the 'Bonjour tristesse' logo. 'Saul Bass' is certainly an interesting book but I thought the presentation didn't really display this wonderful designer's work to its full potential, especially his stunning movie credits.
I had been reading a book about Alfred Hitchcock when I first heard the name "Saul Bass". A few years ago, I was reading about a movie called "Seconds" and there was that name "Saul Bass" again. Then I saw a small mention of this book in "Entertainment Weekly" and just had to get it. It took me a while to get to it because I have a tendency to buy more books than I read, but this year, I made it my goal to read this book and I just finished it! Great big colorful pictures make this book an easy read and a joy to read! I knew about Saul and the movies but was shocked to read about all of the famous corporate logos that he designed. Just when I thought that he couldn't do anything else, I read about the gas stations that he designed. What a remarkable guy and with his wife, what a remarkable design team!! I was so impressed with Saul Bass that I gave a speech about him at Toastmasters so others could hear and learn about this creative genius!! This book is worth the money. It's more than pictures of designs. It's learning the creative process and what the designs mean. I will never look at those logos the same now that I know their meaning. And this is an inspiring book about the results of working hard and being persistent. So glad that Saul's daughter made this wonderful tribute to her Dad!
Saul Bass is an extraordinary cinematic artist. His graphic design, from the intersecting, money-green grid patterns in Hitchcock's North by Northwest, to the animation in Vertigo, and beautiful unfolding floral title sequence in Scorsese's Age of Innocence are "art film" shorts in their own right. I love the posters for Kubrick's Spartacus and Barry Lyndon as well. This book, sturdy and well-designed, is a treasure for any film lover, and has quickly climbed the ranks, entering the pantheon of my favorite art books.
One might fear that a book about a great artist spearheaded by one of his offspring would be overly personal and perhaps too adulatory. This book is neither. While it does certainly pay homage to Bass--as it should, because he was a giant of design--I think it's fair to say that Jennifer Bass and Co. have paid impressive tribute in a book as elegantly and engagingly laid out and designed as much of her father's work. The truly fascinating part of this book for those of us who came to Saul Bass through his film credits is to discover his origins and his amazing body of work as a designer. He ranks just barely below Rand as a founding father of graphic design in the 20th century, and this book offers a wealth of examples of his successes both in marketing/advertising and as a filmmaker and titleist. (And carrying it around borders on a workout; it must weigh nearly ten pounds.)The price tag may seem a little high, but trust me it's worth every penny.It's a beautiful book that will be fun for Bass' already knowledgeable fans, and informative (and fun) for those of us who perhaps did not already appreciate the important link between print and visual design in the 20th century and the important role this brilliant man played in bridging the two. Highly recommended.
This Book is amazing! Saul Bass was & still is a huge influence on the Graphic Arts, and artists in general, to this day. Fantastic images, great text, stories, insights, and history around his work and his life. Wonderful presentation and presentation of his work & life.The book was shipped quickly & professionally.
A fine overview of the master graphic designer's career, chock full of information and photographs.
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